the works – toneburstproject.com

Toneburst Maps and Fragments 1995 – 1996

Fragments (studies for the Maps). Translucent paints on clear film mounted on clear acrylic panels.

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Toneburst Fragment 1.
Version 1: 48 x 22 inches,
version 2: 24 x 11 inches.

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Toneburst Fragment 2.
Version 1: 35 x 27 inches,
version 2: 17.5 x 13.5 inches.

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Toneburst Fragment 3.
Version 1: 27 x 48 inches,
version 2: 13.5 x 24 inches.

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Toneburst Fragment 4.
Version 1: 35 x 27 inches,
version 2: 17.5 x 13.5 inches.

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Toneburst Fragment 7.
Version 1: 48 x 27 inches,
version 2: 24 x 13.5 inches.

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Toneburst Fragment 9.
Version 1: 32 x 48 inches,
version 2: 16 x 24 inches.

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Toneburst Fragment 10.
Version 1: 35 x 27 inches,
version 2: 17.5 x 13.5 inches.

2. Maps. Black film mounted on clear acrylic panels.

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Toneburst Map 4. Black film on acrylic panel, 96 x 96 inches (244 x 244 cm)

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Toneburst Map 4, with Ideogram Cluster 2. Zilkha Gallery, 1996.

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Toneburst Map 4 and Ideogram Cluster 1, Museum der Moderne Salzburg, 2021. Photo P. Edelstein.

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Toneburst Map 1 v2 , 3 parts 85.5 x 29.5 inches (227 x 75 cm) each.

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Toneburst Map 1 v2 (part 3), Zilkha Gallery, 1996.

3. Ideogram Clusters. Translucent paints on clear film and black film mounted on clear acrylic panels.

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Ideogram Cluster 1, 6 pieces 16 x 96 inches each.

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Ideogram Cluster 1 (detail). © Museum der Moderne Salzburg 2021, photo: Rainer Iglar.

Ideogram Cluster 2, 5 pieces 13.7 x 96 inches.

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Ideogram Cluster 2, 1996. 5 parts 13.7 x 96 inches each, in front of Map 4, Zilkha Gallery, 1996.

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Individual Ideograms, 35 x 24 inches.

4. Site specific installations.

Ideogram Cluster 1, 6 parts 24 x 140 inches each, laminated prints on clear polycarbonate sheets. The National Museum of Modern and Contemporary Art, Seoul, Korea

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Map 4, 48 x 48 inches, and 24 x 24 inches, laminated print on clear acrylic panel. The National Museum of Modern and Contemporary Art, Seoul, Korea and other locations.

4. David Tudor’s electronic circuit designs for Untitled (1972) and Toneburst (1975)

David Tudor, circuit design for Untitled A: Sound Generation (1972), 12" x 9", pencil on paper.

David Tudor, circuit design for Untitled B: Performance Processing (1972), 12" x 9", pencil on paper.

David Tudor, circuit design for Untitled (1972)

David Tudor, circuit design for Toneburst (for Merce Cunningham's SoundDance) Sound Generation (1975), 12" x 9", pencil on paper.

Drawings for Untitled A and B from the collection of Sophia Ogielska and Andy Ogielski.